Gary's Guitars   800 Islington St    Portsmouth, NH   03801    (603) 427-6133 

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A fine pair of 1966 Ampeg Bs wandered in a while ago and I had to preserve the sight !!.  The debate continues...."the 12 is the best bass amp ever"....."NO, the 15 is better".   I'd say that they both sound great.  Ampegs philosophy back in the 50's and 60's was to build the most durable amps with nothing but the best components.  The B series were the height of success for them until the SVT came along in the late 60's.  Paying no attention to the other amps of the time Ampeg just went ahead and designed  bass amps that have never been matched for tone and toughness.  The B12 has a great even tone but is powered too low for gigging.  The B15, with it's bigger 15" speaker, had more low end punch and just barely enough power to cut a gig.  The B18 had an 18" speaker and even more wattage so it was better at gigging but a bit boomy for most players.  In the studio I like the B12, on a gig I just love to turn a B15 up to 7 and bask in the growly, full tone.  

These are not for sale just being shown off.

 

 

As we guitarists have learned, New England can be rough on our instruments.  This map shows lowest and highest average humidity for each region of the US.  Guess where the greatest variation is?  Uh huh, right here.  Our guitars shrink in the dry winters and expand in the humid summers.  Being made of wood a bit of movement is normal but extremes can cause warping and cracking....can I see a show of hands?  So, humidify your instrument in the winter and don't let it get overly moist in the summer.  A good rule of thumb is in-the-case in the winter and out-of-the-case in the summer.  When in doubt please bring your guitar to us and we'll check for signs of damage or possible problems.  Geez, Hawaii looks inviting!   

 

 

 

 

"The Life and Art of Bass Playing",

by Tony Levin

 

In the beginning there was a bass. It was a Fender, probably a Precision,

but it could have been a Jazz - nobody knows. Anyway, it was very old,

.. definitely pre-C.B.S.,

 

And God looked down upon it and saw that it was good. He saw that it was,

very good in fact, and couldn't be improved on at all (though men would,

later try.) And so He let it be and He created a man to play the bass.

 

And lo the man looked upon the bass, which was a beautiful 'sunburst', and

he loved it. He played upon the open E string and the note rang,

through the earth and reverberated throughout the firmaments (thus,

reverb came to be.) And it was good. And God heard that it was good. And,

He smiled at his handiwork.

 

Then in the course of time, the man came to slap upon the bass. And lo,

it was funky.

 

And God heard this funkiness and He said, "Go man, go." And it was good.

 

And more time passed, and, having little else to do, the man came to

practice upon the bass. And lo, the man came to have upon him a great,

set of chops. And he did play faster and faster until the notes rippled

like a breeze through the heavens.

 

And God heard this sound which sounded something like the wind, which He

had created earlier. It also sounded something like the movement of

furniture, which He hadn't even created yet, and He was not so pleased.

And He spoke to the man, saying “Don't do that!”

 

Now the man heard the voice of God, but he was so excited about his new

ability that he slapped upon the bass a blizzard of funky notes. And the

heavens shook with the sound, and the Angels ran about in confusion.

(Some of the Angels started to dance, but that's another story.)

 

And God heard this - how could He miss it - and lo He became bugged. And

He spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix

I would have created the guitar. Stick to the bass parts."

 

And the man heard the voice of God, and he knew not to mess with it. But

now he had upon him a passion for playing fast and high. The man took

the frets off of the bass which God had created. And the man did slide

his fingers upon the fretless fingerboard and play melodies high upon

the neck. And, in his excitement, the man did forget the commandment of

the Lord, and he played a frenzy of high melodies and blindingly fast

licks. And the heavens rocked with the assault and the earth shook,

rattled and rolled.

 

Now God's wrath was great. And His voice was thunder as He spoke to the

man.

 

And He said, “O.K. for you, pal. You have not heeded My word. Lo, I,

shall create a soprano saxophone and it shall play higher than you can

even think of.  And from out of the chaos I shall bring forth the drums.

And they shall play so many notes thine head shall ache, and I shall make

you to always stand next to the drummer.”

 

“You think you're loud? I shall create a stack of Marshall guitar amps

to make thine ears bleed. And I shall send down upon the earth other

instruments, and lo, they shall all be able to play higher and faster

than the bass.”

 

“And for all the days of man, your curse shall be this; that all the

other musicians shall look to you, the bass player, for the low notes.

And if you play too high or fast all the other musicians shall say "Wow"

but really they shall hate it. And they shall tell you you're ready for

your solo career, and find other bass players for their bands. And for

all your days if you want to play your fancy licks you shall have to

sneak them in like a thief in the night.”

 

“And if you finally do get to play a solo, everyone shall leave the

bandstand and go to the bar for a drink.”

 

And it was so.

 

 

 

 

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