Gary's Guitars 800 Islington St Portsmouth, NH 03801 (603) 427-6133
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A fine pair of 1966 Ampeg Bs wandered in a while ago and I had to preserve the sight !!. The debate continues...."the 12 is the best bass amp ever"....."NO, the 15 is better". I'd say that they both sound great. Ampegs philosophy back in the 50's and 60's was to build the most durable amps with nothing but the best components. The B series were the height of success for them until the SVT came along in the late 60's. Paying no attention to the other amps of the time Ampeg just went ahead and designed bass amps that have never been matched for tone and toughness. The B12 has a great even tone but is powered too low for gigging. The B15, with it's bigger 15" speaker, had more low end punch and just barely enough power to cut a gig. The B18 had an 18" speaker and even more wattage so it was better at gigging but a bit boomy for most players. In the studio I like the B12, on a gig I just love to turn a B15 up to 7 and bask in the growly, full tone.
These are not for sale just being shown off.
As we guitarists have learned, New England can be rough on our instruments. This map shows lowest and highest average humidity for each region of the US. Guess where the greatest variation is? Uh huh, right here. Our guitars shrink in the dry winters and expand in the humid summers. Being made of wood a bit of movement is normal but extremes can cause warping and cracking....can I see a show of hands? So, humidify your instrument in the winter and don't let it get overly moist in the summer. A good rule of thumb is in-the-case in the winter and out-of-the-case in the summer. When in doubt please bring your guitar to us and we'll check for signs of damage or possible problems. Geez, Hawaii looks inviting!

"The
Life and Art of Bass Playing",
by
Tony Levin
In
the beginning there was a bass. It was a Fender, probably a Precision,
but
it could have been a Jazz - nobody knows. Anyway, it was very old,
..
definitely pre-C.B.S.,
And
God looked down upon it and saw that it was good. He saw that it was,
very
good in fact, and couldn't be improved on at all (though men would,
later
try.) And so He let it be and He created a man to play the bass.
And
lo the man looked upon the bass, which was a beautiful 'sunburst', and
he
loved it. He played upon the open E string and the note rang,
through
the earth and reverberated throughout the firmaments (thus,
reverb
came to be.) And it was good. And God heard that it was good. And,
He
smiled at his handiwork.
Then
in the course of time, the man came to slap upon the bass. And lo,
it
was funky.
And
God heard this funkiness and He said, "Go man, go." And it was good.
And
more time passed, and, having little else to do, the man came to
practice
upon the bass. And lo, the man came to have upon him a great,
set
of chops. And he did play faster and faster until the notes rippled
like
a breeze through the heavens.
And
God heard this sound which sounded something like the wind, which He
had
created earlier. It also sounded something like the movement of
furniture,
which He hadn't even created yet, and He was not so pleased.
And
He spoke to the man, saying “Don't do that!”
Now
the man heard the voice of God, but he was so excited about his new
ability
that he slapped upon the bass a blizzard of funky notes. And the
heavens
shook with the sound, and the Angels ran about in confusion.
(Some
of the Angels started to dance, but that's another story.)
And
God heard this - how could He miss it - and lo He became bugged. And
He
spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix
I
would have created the guitar. Stick to the bass parts."
And
the man heard the voice of God, and he knew not to mess with it. But
now
he had upon him a passion for playing fast and high. The man took
the
frets off of the bass which God had created. And the man did slide
his
fingers upon the fretless fingerboard and play melodies high upon
the
neck. And, in his excitement, the man did forget the commandment of
the
Lord, and he played a frenzy of high melodies and blindingly fast
licks.
And the heavens rocked with the assault and the earth shook,
rattled
and rolled.
Now
God's wrath was great. And His voice was thunder as He spoke to the
man.
And
He said, “O.K. for you, pal. You have not heeded My word. Lo, I,
shall
create a soprano saxophone and it shall play higher than you can
even
think of. And from out of the
chaos I shall bring forth the drums.
And
they shall play so many notes thine head shall ache, and I shall make
you
to always stand next to the drummer.”
“You
think you're loud? I shall create a stack of Marshall guitar amps
to
make thine ears bleed. And I shall send down upon the earth other
instruments,
and lo, they shall all be able to play higher and faster
than
the bass.”
“And
for all the days of man, your curse shall be this; that all the
other
musicians shall look to you, the bass player, for the low notes.
And
if you play too high or fast all the other musicians shall say "Wow"
but
really they shall hate it. And they shall tell you you're ready for
your
solo career, and find other bass players for their bands. And for
all
your days if you want to play your fancy licks you shall have to
sneak
them in like a thief in the night.”
“And
if you finally do get to play a solo, everyone shall leave the
bandstand
and go to the bar for a drink.”
And
it was so.
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